I have been invited by Liesl to join the the creative blog hop and talk about my creative process. I love answering questions like these, it’s always an opportunity to reflect and I usually find out something about myself that I didn’t know before I got writing and thinking!
Check out previous posts by Liesl, Inge and Melody (who invited me too a few weeks ago but whose message I read too late to participate then).
What am I working on?
I am primarily a photographer but I strive to incorporate handmade in all areas of my life – I sew, knit, garden and cook, with varying success.
Photography wise in between doing some fall portrait photoshoots I am working on putting a new travel photo series in my shop with images of a trip to Canada I took this year. It’s a long process of culling, editing, having samples printed, re-editing, stocking, writing descriptions and finally listing and promoting.
Fall is also knitting season for me – I am working on a new cardigan and there might be a shawl and a new pair of socks in sight too.
I have some sewing projects waiting to happen but since sewing takes much more of an effort to set up and requires me getting off the couch these take a backseat over knitting right now.
How does my work differ from others of its genre?
Does it? I see a lot of incredible artists creating wonderful things and I am not at all sure how my work differs, except that I always wish it was better! It has a certain, very colorful look for sure. I find every artist has their own style and it’s impossible to break that. Two people can photograph the exact same scene and their photos will be completely different. Nobody can see the world as you yourself see it and that’s wonderful. At the same time I see many people inspired by the same things and I am glad for kindred spirits who capture the beauty of the world in their own way.
I am not someone who gets lost in only one thing forever. Yes, photography is ‘it’ for me, but my other creative pursuits are also a big and necessary part of my life. I am interested in so many different things. Maybe that sets me apart from some other artists, who dive very deeply into one subject matter.
Why do I create what I do?
I have always felt a need to create. Working with my hands and building something useful with them is as much a physical need as a mental one for me.
As a child I knew only that it made me happy. As an adult I also see another level to it – handmade has a value of its own. I want to live in a world where we still do things with our hands and value the process and materials. The animals and plants our wool and leather, fabric and color come from – they’re real, they existed, they have value. By making things by hand and using them I feel like I honor that worth.
As much as technology and media has expanded our world (and I revel in that) it sometimes feels like we are now very exposed and very anonymous at the same time – everything laid bare, interconnected and yet much more automatized and impersonal. Creating and building a life based on making things with my hands and knowing where they came from grounds and comforts me. Knitting a cardigan out of natural fibers warms the cold polyester world around me.
With my photography I try to capture feelings and emotions – the invisible connection between two people, the wonder at nature’s beauty in a world so far removed from it, the joy of shaping rough yarn into something wearable, the pride of watching a tiny seedling turn into a thriving edible plant under my hands.
How does my creative process work?
It’s a strange mixture of intuition and careful thought. My inspiration comes from nature, from connecting with other artists and from sites like Pinterest and Instagram. From there I try to break it down and shape the images and thoughts and feelings they conjure to my own needs. It’s a tough balance – being inspired but still doing things my own way.
With a craft project I usually need to give an idea time to grow, to take root and shape itself in my head. It’s quite unnerving, mulling something over in my head for days until the image has sharpened enough to be put into action.
With photography it’s often much more intuitive (which can be even more unnerving). I sometimes meet my portrait clients for the first time on location and I need to grasp immediately how these people tick, what makes them beautiful and tickle it out of them while also trying to use the location to its best advantage. My travel photography is much more relaxed, I simply capture moments as they happen, completely immersed in my own emotions and experience of the scenery.
Liesl, thanks so much for inviting me! Lindsay and Ruth, two wonderful creatives and bloggers, will be continuing the blog hop and will have their posts up within the next two weeks so hop on over to their blogs too.